The ruckus is more restrained on the flip, as Brötzmann initially allows Edwards and Noble some space to rumble, fidget and fumble. The first side barely breaks for breath – raw and impressive throughout. From the off, Brötzmann’s gills are gurning, throwing up torrents of molten roar, while Noble’s mule-kicking at the traps reels out ride hits like a baby sporting a bonnet of bees.Įdwards begins by bowing an arcing drone to provide a little ballast, but quickly gives up the ghost, throwing in his lot with the other two, delivering a series of fleet-fingered runs. These two extended improvisations, recorded in January 2010 during Brötzmann’s first residency at OTO, finds the group attaining near-telepathic modes of interconnectedness, despite this being the trio’s first outing together. Now the venue has launched OTO roku, its own vinyl-only label, beginning with this blistering set pairing the indomitable lungs of Peter Brötzmann (reeds) with one of the UK’s hottest rhythm sections, John Edwards (double bass) and Steve Noble (drums). For venturesome thrill-seekers it’s been the go-to space for those needing a quick fix of sonic abstraction, with a programme embracing all aspects of the avant-garde from fiery free jazz to fey folk reductions. Since opening in Dalston, London in April 2008, Cafe OTO has provided the capital with its very own epicentre of musical experimentation.
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